PIT




Pit,
detail, 2026
Archival pigment prints,
  birch plywood, ink, blotter paper, 
24x31x68 inches





When working on a project, I imagine a big circle. I work in a loop, positioning plywood bodies, photographed gestures, and wiggly wire-girls. Exploring the tension between dissolving and solidifying, I am interested a body’s visual, emotional, and visceral impressions. Extending into space, feeling, and forming an identity is relational, and the framework to describe this phenomenon does not have a straight structure of visibility; it describes a space of becoming.