2026 Recent Work
PIT
Pit, detail, 2026
Archival pigment prints,
birch plywood, ink, blotter paper,
24x31x68 inches
Pit, detail, 2026
Archival pigment prints,
birch plywood, ink, blotter paper,
24x31x68 inches
When working on a project, I imagine a big circle. I work in a loop, positioning plywood bodies, photographed gestures, and wiggly wire-girls. Exploring the tension between dissolving and solidifying, I am interested a body’s visual, emotional, and visceral impressions. Extending into space, feeling, and forming an identity is relational, and the framework to describe this phenomenon does not have a straight structure of visibility; it describes a space of becoming.
METAL
Metal, 2026
Wire, silkscreen, birch plywood, archival pigment print,
20 x 20 x 8 inches
Metal, 2026
Wire, silkscreen, birch plywood, archival pigment print,
20 x 20 x 8 inches
SURFACE
Surface, 2026
Archival pigment prints, birch plywood,
24x31x68 inches
Surface, detail, 2026
Archival pigment prints, birch plywood,
24x31x68 inches
Archival pigment prints, birch plywood,
24x31x68 inches
MIXTURES
Mixtures,
2026
- Archival pigment print,
- plywood, veneer, brass hinges
- 24x30x24 inches
I gather my images by photographing with a tripod and an external remote. I set up the camera, tripod, lighting and reflectors, react and pose. In the studio the photographs are translated into prints, cutouts, and free standing props. The prints are scaled, assembled and adhered to plywood, foam core, and veneer. The approximate height of the props varies from 16 inch models to 50 inch panels. The edges of all shapes, plywood panels, and wooden substrates are determined by the outlines of my body.
Mixtures, 2026
- Archival pigment print,
- plywood, maple veneer, brass hinges
- 24x30x24 inches
Backstage
Backstage, Surface, and Mixtures, preset three distinct scenes that examine visibility and self-possession. In my photography, sculpture and installations I create props and environments that operate at the edges of objects and view points, taking the traditional elements of visual capture - a camera and a tripod - and working with them as sequences. What I wanted to do was to break myself into pieces, and the irony of coming apart in this way was the creation of visual and material sequences to describe an act of arrival.
Backstage, 2026
Archival pigment prints, plywood,
granite, recycled satin
48x60x96 inches
Archival pigment prints, plywood,
granite, recycled satin
48x60x96 inches
Backstage, detail, 2026
Archival pigment prints, plywood,
granite, recycled satin
48x60x96 inches
Archival pigment prints, plywood,
granite, recycled satin
48x60x96 inches
MIXTURES II
- Mixtures II, 2026
- Archival pigment print, plywood, twill, veneer
- Installation dimensions variable
- Mixtures II, detail, 2026
- Archival pigment print, plywood, twill, veneer
- Installation dimensions variable
INSTANT HOME
Date: 2022
Artists: Leyla Rzayeva and Hanne Lange
Materials: archival pigment prints
Dimensions: 6x9 inches and 9x12 inches
Artists Hanne Lange’s and Leyla Rzayeva’s collaborative work completed in Dresden, Germany. In the installation about home, memory and metaphor, Leyla Rzayeva and Hanne Lange are stepping into a new affinity that takes time and space. Asking questions about how to understand hospitality, immigration and availability of materials and resources during the times of global change. A photograph of the original work is displayed together with a series of postcards and posters. The images in the postcards were chosen by the artists from their collaboration and individual art practice. Each viewer can take part in the installation - take the postcards and then form new combinations in their own home or send them by post.