Leyla Jamil Rzayeva

PIT




Pit,
detail, 2026
Archival pigment prints,
  birch plywood, ink, blotter paper, 
24x31x68 inches





When working on a project, I imagine a big circle. I work in a loop, positioning plywood bodies, photographed gestures, and wiggly wire-girls. Exploring the tension between dissolving and solidifying, I am interested a body’s visual, emotional, and visceral impressions. Extending into space, feeling, and forming an identity is relational, and the framework to describe this phenomenon does not have a straight structure of visibility; it describes a space of becoming.


METAL





Metal, 2026
Wire, silkscreen, birch plywood, archival pigment print, 
20 x 20 x 8 inches





Metal
, 2026
Wire, silkscreen, birch plywood, archival pigment print, 
20 x 20 x 8 inches

SURFACE




Surface
, 2026
Archival pigment prints, birch plywood, 
24x31x68 inches




Surface, detail, 2026
Archival pigment prints, birch plywood, 
24x31x68 inches
MIXTURES




Mixtures,   2026
    Archival pigment print, 
    plywood, veneer, brass hinges
    24x30x24 inches

    I gather my images  by photographing with a tripod and an external remote. I set up the camera, tripod, lighting and reflectors, react and pose. In the studio the photographs are translated into prints, cutouts, and free standing props. The prints are scaled, assembled and adhered to plywood, foam core, and veneer. The approximate height of the props varies from 16 inch models to 50 inch panels. The edges of all shapes, plywood panels, and wooden substrates are determined by the outlines of my body. 






      Mixtures, 2026
        Archival pigment print, 
        plywood, maple veneer, brass hinges
        24x30x24 inches



        Backstage

        Backstage, Surface,
        and Mixtures, preset three distinct scenes that examine visibility and self-possession. In my photography, sculpture and installations I create props and environments that operate at the edges of objects and view points, taking the traditional elements of visual capture - a camera and a tripod - and working with them as sequences.  What I wanted to do was to break myself into pieces, and the irony of coming apart in this way was the creation of visual and material sequences to describe an act of arrival.


        Backstage, 2026
        Archival pigment prints, plywood, 
        granite, recycled satin
        48x60x96 inches





        Backstage, detail, 2026
        Archival pigment prints, plywood, 
        granite, recycled satin
        48x60x96 inches
        MIXTURES II




        • Mixtures II, 2026
        • Archival pigment print, plywood, twill, veneer
        • Installation dimensions variable




        • Mixtures II, detail, 2026
        • Archival pigment print, plywood, twill, veneer
        • Installation dimensions variable

        CARD PLAYERS


        • Card Players, 2025
        • Oil on canvas
        • 36" x 26" x 1.5"
        INSTANT HOME

        Date: 2022
        Artists: Leyla Rzayeva and Hanne Lange
        Materials: archival pigment prints
        Dimensions: 6x9 inches and 9x12 inches

        Artists Hanne Lange’s and Leyla Rzayeva’s collaborative work completed in Dresden, Germany. In the installation about home, memory and metaphor, Leyla Rzayeva and Hanne Lange are stepping into a new affinity that takes time and space. Asking questions about how to understand hospitality, immigration and availability of materials and resources during the times of global change. A photograph of the original work is displayed together with a series of postcards and posters. The images in the postcards were chosen by the artists from their collaboration and  individual art practice. Each viewer can take part in the installation - take the postcards and then form new combinations in their own home or send them by post. 







        DIVIDERS





        Dividers
        , 2023
        Archival pigment print, book cloth, wood
        16x20x12 in