Information
Home

Statement
We are looking at people commuting, shopping, sightseeing, posing for a photograph, their respective roles emphasized by the observer. 

Hypersensitive to the time and place, the architecture and the light reflect back your feelings about the scene, making the walls between feeling nostalgia and romanticizing imperialism thin. In this work, I use digitized slides and photographs my father took in Central Asia in the early 90’s. I reinterpret these images to create a shift from the vernacular into poetic, reveal enough to stir assumptions and pull the viewer right back to reexamine their position. 

Leyla Jamil Rzayeva is a multimedia artist and printmaker with diverse administrative knowledge and creativity seen in her work at Kala Art Institute, Johns Hopkins University School of Medicine, Walters Art Museum, and Clubhouse Lithography Workshop. 

Her artwork has been exhibited at Berkeley Art Center, ME in a(ME)rica at Root Division curated by WEDAPEPO Collective, APAture 2023 at Kearny Street Workshop, the de Young Museum, Skyline College, and 500 Capp Street Spring Invitational. 

Born in Moscow and immigrated from Azerbaijan, Leyla’s research and art examine post-colonial identities in the US with a focus on the Caucasus, West and Central Asia.


Indexed Work

  1. Sisters, installation, 2024
  2. Taxi, 2024
  3. Excursion, 2024

  1. Fortress, 2024
  2. Holding Hands, 2024
  3. Tourist, 2024

  1. Shade and Taxi, 2024
  2. Study, 2024
  3. Sisters, installation, 2024

  1. Imagined Lunch, 2022
  2. Dividers, 2023
  3. Smoke and Mirrors, 2023

  1. Ties, 2022
  2. Masha and Symon, 2024
  3. Closer, 2023

  1. Winged Rock, 2023
  2. Sisters, installation, 2024
  3. Sisters, installation, 2024